Calvinism - pagina 205

CALVINISM AND ART. be

in a different sense,

be

confessed,

but

the

in

that

circles

Renaissance

will

of the Renaissance also did not take

it

of

201

and

civil

its

be considered more

here answer,

I

almost

all

the

fully in the third

Roman

art-

that a style, which borrowed

first,

from

motives

its

Now

life.

part of this lecture, but with respect to the style

must

rehgion,

rise in

social

it

Greek

can scarcely

art

boast of an independent character; and secondly, that,

Rome,

in

the State-idea had

Rehgious

the

emperors,

reached

identified with

the period of the

in

height of prosperity while

its

were burned to Divus Augustus,

sacrifices

to

torical

that when,

idea,

art

become so

consider State and

it

is

unhis-

any longer

Religion

as

being at that time separate spheres.

from

apart

But,

outcome,

historic

this

it

may be

questioned, whether such an all-embracing art-style ever

could have originated outside of Religion.

such

demands a

a style

and emotional quently

carries

its

effect

a national world of intellectual thought.

and which conse-

within,

from

this spiritual centre to

Not

of course as though

be the product of

art ever could Intellectual art

is

no

art,

and the

put forth by Hegel to draw art from thoughts,

militated

against the very nature of

tual, ethical, religious a,

sphere of

its

own.

and

aesthetic

Our intelleceach commands

art.

life

These spheres run

parallel

do not allow the derivation of one from the It

is

of

of a people, which shall dominate

outermost circumference.

effort

rise

central motive in the mental

whole existence from

the

its

life

The

and

other.

the central emotion, the central impulse, and the

central

animation,

in

the

mystical

root of our being.

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