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Calvinism - pagina 198
CALVINISM AND ART.194Toview therefore from a higher platform thecance of Calvinism toart,of these three points:i.toprincipleitsfordoneactuallybe well,ifSaint Sophiaoivn\it ...
Calvinism - pagina 200
CALVINISM AND ART.196proceed to accountin the case, Tconvinced that thisfullyfor this conviction.First then the aesthetic tocarriedandthoseideal heights ofPantheon,thedevelopment of divine worship ...
Calvinism - pagina 199
CALVINISM AND ART. luteand all-embracing production of195was exhibitedartother departments of art finallyin architecture, all theadapting themselves to the temple, church, mosque orpagoda.whichScarcelysingle art-s ...
Calvinism - pagina 201
CALVINISM AND ART. abandoneditof worship,demand of art, to embody monuments of splendor.refused,theatspirit inTheformsymbolicalthe1objection97andreligiousitssuch a symboli ...
Calvinism - pagina 202
;CALVINISM AND ART.198 sensualbythoughhighest expression, finally helpsitsmeansthese veryfor isreligionto cast off the fetters of sensualitymust be granted thatitat a lower levelonly the aesth ...
Calvinism - pagina 203
CALVINISM AND ART.199when, having reached the years of maturity, they stand beforeyou,man and woman, youaswith forms, andand modes of expression, pecu-traits,Andharly their own.them bothseearrived at ...
Calvinism - pagina 204
:CALVINISM AND ART.200 old age,whoThe mana painful, retrograde movement.isGod, and whosefearsremain clear andfacultiesunimpaired, does not on the brink of age return to the playthings of his infancy.One more ...
Calvinism - pagina 205
CALVINISM AND ART. bein a different sense,beconfessed,buttheinthatcirclesRenaissancewillof the Renaissance also did not takeitof201andcivilitsbe considered morehere ...
Calvinism - pagina 206
CALVINISM AND ART.202which seeks to revealArtramification.fourfoldthe outer world in thisitself toalsono side-shoot on aisprincipal branch, but an independent branch thatfrom the trunk of ourmore nearly ...
Calvinism - pagina 207
CALVINISM AND ART.203but a most serious power in our present existence, and therefore artisticmust maintain,principal variationsitsexpression,arelation with the principalclosevariations of our entirelife;and ...
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